| Since moving
to Chicago in the late 1980's, the elevated train has intrigued me
as an extraordinary physical presence in the urban landscape. My recent
artistic interests concerned night and evening photography...and a
reflection upon architecture and the urban plan. The inclination to
incorporate the elevated train in my work was a natural extension
of those interests. The impulse to repeat and |
|
mirror the image
camefrom a desire to emphasize and extend the horizontal aspect
of the train and surrounding landscape. This type of manipulation
references digital media's ability to endlessly replicate itself.
Mirrored symmetry creates a variety of odd visual phenomenon within
the image and I'm fascinated by our affinity to and rejection of,
the symmetrical as well as what the human brain perceives when faced
with such visual information. |